My work has been chosen for its distinctive visual language — a practice grounded in glass, light, and transformation. I explore states of transition, where form is not fixed but continuously shifting between presence and dissolution.

Working with kiln-fired, hand-painted glass, I treat light not as illumination, but as an active force — revealing, obscuring, and reshaping what is seen. The image is never stable; it changes with movement, time, and perception.

FLUX brings together a curated selection of artists in a context engaging collectors, curators, and a wider audience. Looking forward to presenting my work within this space.

London | 2026